Wolf Concept Art

Hey! Here's an early picture of the wolf I found.

It was as much about getting the look of the wolf down as determining the look of the background - I imagined it being very detailed and textured, as the detail of the tree, and the texture of the ground and sky, show.

The tree above's fairly detailed,
 but the camera lingers on it for a while.

The background didn't end up as detailed as this, as it had to be a long image for the camera to track across. To spare the agony of such a large task, I simply retained the textural look. This helped to make the background and the animated characters/objects in the foreground distinct from each other, to give the impression that the sting consisted of inked and painted cels laid over a hand-painted backdrop.

You can also see how much more muted the general colour scheme was going to be at the start of the project. Sean was right - with the slapstick and general fast paced comedy and action, it made more sense to be as loud with the colours, so the overall vibrancy was cranked up considerably.

Oh, Mr Wolf!

The concept art sums up the wolf's personality quite well, too. Nailing the character of the wolf so early on in the creative process was a good idea, as it helped me to add little nuances to his performance as I animated him. He's a typical cartoon villain - determined, angry, but slightly incompetent and bewildered.

Character Design

Assignment ANI1017M

This is a character sheet for Prof. Edwin Crankshaft. He's basically a robot, but a robot with so much experience around humans that his personality has more or less evolved from that of a brilliant machine to a pedantic human. The secondary image depicts the character in a couple of relevant poses aside from that in the turnaround, and attempts to explain how the eyes, as well as the pupils, can swivel upwards or downwards, due to the lack of a neck to facilitate the up/down head movement.